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MANFREDI, Bartolomeo Italian Baroque Era Painter, 1582-1622
Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,
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Painting ID:: 8039
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MANFREDI, Bartolomeo Allegory of the Four Seasons SG c. 1610
Oil on canvas, 134 x 91,5 cm
Dayton Art Institute, Dayton
Painting ID:: 8040
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MANFREDI, Bartolomeo Bacchus and a Drinker d 1500-10
Oil on canvas, 132 x 96 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 8041
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MANFREDI, Bartolomeo Cupid Chastised sg 1605-10
Oil on canvas
Art Institute of Chicago, Chicago
Painting ID:: 8042
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MANFREDI, Bartolomeo The Guard Room sg Oil on canvas, 169 x 239 cm
Gemäldegalerie, Dresden
Painting ID:: 8043
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MANFREDI, Bartolomeo Lute Playing Young sg Oil on canvas, 105 x 77 cm
The Hermitage, St. Petersburg
Painting ID:: 28867
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MANFREDI, Bartolomeo Cain and Abel mk65
Oil on canvas
67 5/16x48in
Pitti
Painting ID:: 28890
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MANFREDI, Bartolomeo Tribute to Caesar mk65
Oil on canvas
51 3/16x75 3/16in
Uffizi
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MANFREDI, Bartolomeo
Italian Baroque Era Painter, 1582-1622
Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,
